Posts tagged story imagery

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2nd Samuel 12 01 14 A Grimm Fairy Tale Bible Nathan David lamb story Adam Eve Tile Napkin Holder is measuring 6w x 6h x 4d. Made from high quality solid maple wood with satin finish and two 4.25 commercial grade mirror gloss ceramic tiles. Holds napkins, mail, letters or files. In addition, customized engraving, on the face of the item, is available on request.

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Bedtime Story As Told By Tile Napkin Holder is measuring 6w x 6h x 4d. Made from high quality solid maple wood with satin finish and two 4.25 commercial grade mirror gloss ceramic tiles. Holds napkins, mail, letters or files. In addition, customized engraving, on the face of the item, is available on request.

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Deuteronomy 4 31 40 Moses The Golden Years Bible Moses Aaron retelling old stories Tile Napkin Holder is measuring 6w x 6h x 4d. Made from high quality solid maple wood with satin finish and two 4.25 commercial grade mirror gloss ceramic tiles. Holds napkins, mail, letters or files. In addition, customized engraving, on the face of the item, is available on request.

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Believed lost since its one-night-only television broadcast in March of 1957, the original production of Rodgers and Hammerstein's made-for-TV musical features then-rising Broadway star Julie Andrews as the downtrodden young woman who, thanks to her fairy godmother, transforms into a beautiful princess in order to attend an elegant ball. Edie Adams, Jon Cypher, Alice Ghostley co-star. Songs include "Do I Love You Because You're Beautiful," "In My Own Little Corner," "Impossible," and more. 77 min. Standard; Soundtrack: English Dolby Digital mono; "making of" documentary; photo gallery; more.

The DVD era has unearthed another treasure. For the first time ever, Julie Andrews's performance in the title role of the original 1957 television production of Rodgers and Hammerstein's Cinderella is available to the public on home video. Cinderella was created as a Broadway-style television production with an original score from the creators of Oklahoma! and Carousel, featuring such songs as "In My Own Little Corner," "Impossible," "Do I Love You Because You're Beautiful," and "Stepsisters' Lament." Cast in the title role was the 21-year-old Andrews, at the time starring on Broadway in My Fair Lady (another Cinderella story of sorts), and the cast was filled out by a talented bunch of stage veterans (including Kaye Ballard, Edie Adams, Dorothy Stickney, and Stickney's husband, writer Howard Lindsay). On March 31, 1957, a then-record 120 million homes saw the program as it was broadcast, live and in color, but it was preserved only in black-and-white kinescope, i.e., by aiming a camera at a monitor during the broadcast. While this version probably looks better than we have any right to expect, the picture is still fuzzy black-and-white, which makes it a tougher sell for kids than the later color versions, 1965 with Lesley Anne Warren and the 1997 Disneyized version. But give older kids (say, 8 or so) credit for being able to look past the black-and-white picture and primitive effects and enjoy the charming songs, the excellent performances, and the prospect of seeing one of their favorite actresses play one of their favorite princesses. Fortunately, the DVD has also received the attention it deserves, with a new introduction by Andrews, a 20-minute featurette about the production, including interviews with many of the principals; Rodgers and Hammerstein's appearance on The Ed Sullivan Show a week before the broadcast; and a gallery of color photos of the production as well as promotional material, which included paper dolls of Andrews. --David Horiuchi

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Tired of inane sing-along videos with cheesy music and a lack of cohesiveness? The Mother Goose Treasury, Vol. 2 features fully orchestrated songs, elaborate costuming, bright backgrounds, and even a story line! The scatterbrained Mother Goose and her young gosling Bertram are headed to town to complete some grocery shopping. Along the way they encounter a plethora of famous Mother Goose characters, including Jack (as in "Jack be nimble, Jack be quick"), Miss Muffet, Mary (and her lamb), Humpty Dumpty, and Simple Simon. Each encounter elicits a recitation of the appropriate story, either in song or verse, complete with choreography, puppetry, and onscreen subtitles. The "puppetronic" technology deserves special mention--it brings the puppetry to life and is suggestive of Jim Henson's Muppet productions. Joining the puppets is a large cast of human actors who sing, dance, and generally enthrall audiences from 3 to 8 years old. This volume offers 58 minutes of sing-along fun that kids will request repeatedly. For more Mother Goose sing-alongs, check out Mother Goose Treasury, Vol. 1. --Tami Horiuchi

A delightful collection of sing-along tunes including Old King Cole," Mary Had a Little Lamb," Old Woman in a Basket," Peter Piper," Tom Thumb," Crooked Man," HumptyDumpty," Twinkle Twinkle Little Star" and more. Color/58 min/NR.

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And what a day it was: nearly 60 jazz musicians, gathered on a Harlem street one morning in 1958 for what photographer Art Kane rightly, if immodestly, calls "the greatest picture of that era of musicians ever taken" (incredibly, it was also Kane's first professional shoot). Like Ken Burns's Jazz, this 60-minute documentary, an Oscar nominee in 1995, is a mixed-media affair: still photographs and 8 millimeter color footage (shot by bassist Milt Hinton and his wife) of the day itself are combined with interviews, background music, and performance clips of some of the players involved (from legends like Lester Young, Count Basie, Charles Mingus, and Thelonious Monk to lesser-knowns like Maxine Sullivan, Red Allen, and Vic Dickenson) to tell the story. There are anecdotes about 35-cent dinners, all-night jams, and film loaded upside down; about pianist Horace Silver's vegetarian diet and trumpeter Roy Eldridge's high notes; about old friends reuniting and what Hinton calls "just sheer happiness." Looking at the photo years later, Dizzy Gillespie sums it up simply: "There's a whole lotta people I like on there!" And speaking of Diz, the DVD also includes "The Spitball Story" (produced, like the Great Day documentary, by Jean Bach), an entertaining if slight tale about the trumpeter's days with bandleader Cab Calloway. Seems Gillespie, a renowned practical joker, delighted in launching spitballs at his fellow musicians. Calloway wasn't amused--especially when one particular projectile landed onstage near him. Although Gillespie for once was not the culprit, the two had a nasty confrontation, resulting in Dizzy's firing from the band. It was, he recalls, "the best move I ever made in music." --Sam Graham

GREAT DAY IN HARLEM - DVD Movie

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Nothing on Earth can rival the epic spectacle and breathtaking grandeur of Titanic the sweeping love story that sailed into the hearts of moviegoers around the world ultimately emerging as the most popular motion picture of all time.Leonardo DiCaprio and Oscar-nominee Kate Winslet light up the screen as Jack and Rose the young lovers who find one another on the maiden voyage of the "unsinkable" R.M.S. Titanic. But when the doomed luxury liner collides with an iceberg in the frigid North Atlantic their passionate love affair becomes a thrilling race for survival.From acclaimed filmmaker James Cameron comes a tale of forbidden love and courage in the face of disaster that triumphs as a true cinematic masterpiece.System Requirements:Starring: Leonardo DiCaprio and Kate Winslet. Directed By: James Cameron. Running Time: 194 Min. Color. This film is presented in "Widescreen" format. Copyright 2002 Paramount Pictures.Format: DVD MOVIE Genre: DRAMA Rating: PG-13 UPC: 097361552248 Manufacturer No: 155224

When the theatrical release of James Cameron's Titanic was delayed from July to December of 1997, media pundits speculated that Cameron's $200 million disaster epic would cause the director's downfall, signal the end of the blockbuster era, and sink Paramount Studios as quickly as the ill-fated luxury liner had sunk on that fateful night of April 14, 1912. Some studio executives were confident, others horrified, but the clarity of hindsight turned Cameron into an Oscar-winning genius, a shrewd businessman, and one of the most successful directors in the history of motion pictures. Titanic would surpass the $1 billion mark in global box-office receipts (largely due to multiple viewings, the majority by teenage girls), win 11 Academy Awards including best picture and director, produce the best-selling movie soundtrack of all time, and make a global superstar of Leonardo DiCaprio. A bona fide pop-cultural phenomenon, the film has all the ingredients of a blockbuster (romance, passion, luxury, grand scale, a snidely villain, and an epic, life-threatening crisis), but Cameron's alchemy of these ingredients proved more popular than anyone could have predicted. His stroke of genius was to combine absolute authenticity with a pair of fictional lovers whose tragic fate would draw viewers into the heart-wrenching reality of the Titanic disaster. As starving artist Jack Dawson and soon-to-be-married socialite Rose DeWitt Bukater, DiCaprio and Kate Winslet won the hearts of viewers around the world, and their brief but never-forgotten love affair provides the humanity that Cameron needed to turn Titanic into an emotional experience. Present-day framing scenes (featuring Gloria Stuart as the 101-year-old Rose) add additional resonance to the story, and although some viewers proved vehemently immune to Cameron's manipulations, few can deny the production's impressive achievements. Although some of the computer-generated visual effects look artificial, others--such as the sunset silhouette of Titanic during its first evening at sea, or the climactic splitting of the ship's sinking hull--are state-of-the-art marvels. In terms of sets and costumes alone, the film is never less than astounding. More than anything else, however, the film's overwhelming popularity speaks for itself. Titanic is an event film and a monument to Cameron's risk-taking audacity, blending the tragic irony of the Titanic disaster with just enough narrative invention to give the historical event its fullest and most timeless dramatic impact. Titanic is an epic love story on par with Gone with the Wind, and like that earlier box-office phenomenon, it's a film for the ages. --Jeff Shannon

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Adapted from the beloved novel by Walter Farley, this 1979 family classic was hailed by no less than hard-to-please critic Pauline Kael, who wrote that "it may be the greatest children's movie ever made." A visual feast from start to finish, the timeless tale of The Black Stallion plays out on almost mythic terms. A young boy survives a shipwreck and is stranded on a deserted island with a graceful black stallion, with whom the boy develops an almost empathic friendship. After being rescued and returning home, the two make a winning team as jockey and lightning-fast racehorse under the tutelage of a passionate trainer, played by Mickey Rooney in an Oscar-nominated role. From its serenely hypnotic island sequence to the breathtaking race scenes, this delightful film is guaranteed to enthrall any viewer, regardless of age. The Black Stallion is a genuine masterpiece of family entertainment. --Jeff Shannon

Beautiful adventure based on William Farley's best-selling series. A young boy is shipwrecked off the African coast with a magnificent horse and gains its trust. Later the pair become champion racers. Mickey Rooney, Teri Garr, and Kelly Reno star. 117 min. Standard and Widescreen; Soundtracks: English Dolby Digital Surround, French Dolby Digital mono, Spanish Dolby Digital mono; Subtitles: English, French, Spanish; theatrical trailer.

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Image Entertainment's 14-disc presentation of the acclaimed anthology series Thriller is arguably among the most anticipated DVD releases for horror fans and vintage-TV aficionados alike. Hosted by screen legend Boris Karloff, who also appeared in five episodes of the series, and aired on NBC from 1960 to 1962, Thriller immediately earned a reputation as one of the most frightening programs ever broadcast on television--a legacy that endures some four decades after it left the airwaves. Though it featured an all-star lineup both in front of and behind the camera--actors such as William Shatner, Richard Chamberlain, Rip Torn, Leslie Nielsen, Elizabeth Montgomery, Warren Oates, Robert Vaughn, and Marlo Thomas were among its guest stars, while directors included veterans like John Brahm (The Lodger), John Newland (One Step Beyond), and actor-directors Ida Lupino, Paul Henreid, and Ray Milland--the chills of Thriller hinged on its stories. Psycho author Robert Bloch adapted several of his short tales for the series, including one of its most nerve-jangling episodes, "The Cheaters," about a pair of glasses that reveal terrifying truths to the wearer. Twilight Zone scribes Richard Matheson and Charles Beaumont also contributed scripts, while others were based on stories by Cornell Woolrich, Edgar Allan Poe, and Conan creator Robert E. Howard; the latter provided the source material for "Pigeons from Hell," the episode widely regarded as the most terrifying of the series, with Brandon De Wilde as a young man who encounters restless spirits and a unique monster in an abandoned Southern mansion. Other standouts include Bloch's "The Grim Reaper," about a cursed portrait that brings death to its owners (including Shatner); "The Purple Room," with Torn as the skeptical inheritor of a haunted house, which viewers will immediately recognize as the Bates home from Alfred Hitchcock's Psycho; and "La Strega," with Ursula Andress as a young woman bedeviled by her sorceress aunt. The 14-disc Thriller: The Complete Series offers all 67 episodes of the series, each remastered and uncut for the first time since their original broadcast. Some 50 hours of supplemental features have also been included; chief among these are 24 hours of commentary tracks by Thriller participants like directors Arthur Hiller and Ted Post and actors Richard Anderson and Beverly Washburn (Spider Baby), as well as genre experts like Tim Lucas, David Schow, Gary Gerani, and Lucy Chase Williams. Episode promos and isolated score tracks by composers Jerry Goldsmith (The Omen) and Morton Stevens all help to underscore why no less an authority than Stephen King declared Thriller to be the best series of its type to ever air on television. --Paul Gaita We chatted with the late Karloff's daughter, Sara--who runs Karloff Enterprises to preserve, protect, and share her father's memories--about her famous father and the Thriller series. Question: Thriller has been something of a Holy Grail for fans of suspense and horror and television. It must be a source of considerable pride to see it finally arrive on legitimate DVD. Karloff: Thriller has always been some of the most popular of my father's TV work. For years I have been receiving inquiries from his fans as to just when the series was going to be released in its entirety and what was holding it up and why Universal would not let it out for the fans to once again enjoy. I, of course, had no real answers to the fan's questions. So I, along with my father's fans, am delighted that the entire 67 episode series is finally being released and that Image Entertainment has done such an exceptional job with the DVDs and all of the extras. Question: Though your father was best known as a movie star, he was actively involved in television from nearly its inception. Do you recall his feelings about the medium and Thriller in particular? Karloff: In 1949 my father moved from Hollywood to New York. One of the major reasons for the move was to embrace the new medium of television. It was in its infancy and for those actors, like my father, who were accustomed to "take one," "take two," etc., live television could be terrifying. It was also thrilling and challenging. My father fortunately was "a quick study" and had had almost 10 years of repertory theater training in British Columbia prior to his arrival in Hollywood. So that all helped him in his new endeavor. He loved the challenge of television and the whole new audience it gave his work. It also brought him an entire new body of work and allowed him to show the breadth of his talent.My father had two other TV series of his own, Colonel March and The Veil, but Thriller was his favorite. He not only enjoyed his hosting duties and had great fun tailoring each introduction to the episode itself, but he appeared in several episodes. He was proud of the writing and directing by some of the finest writers and directors of the day, but the actors were first rate talent too. Question: Like The Twilight Zone and Alfred Hitchcock Presents, Thriller is fondly remembered by viewers, some of whom saw it during its original network run. To what do you attribute its longevity in the minds of critics and fans, including Stephen King? Karloff: Thriller was well written, beautifully directed, and had some of the finest actors performing these great shows. As if that were not enough, the episodes were not gory. They were suspenseful and intelligent. They invited the audience along on the adventure; they included the audience in the experience; they did not insult the audience's intelligence as some of today's viewing trash does.It was the sheer quality of the content of the work of the participants--crew, writers, directors, actors, and my father's hosting--that made this magical package called Thriller and that has given it its long legs and its immense popularity with the fans. Question: Your father appeared in five episodes of Thriller. Do you have a favorite among these? Karloff: I really don't have a favorite episode in which my father appeared. I wish, and I think the fans do, too, that he might have appeared in a few more than just 5 out of the 67. Question: Which aspects of the DVD set do you feel will delight fans the most? Karloff: As with anything, it will be the new material--the extras on the DVDs that will delight the fans. I wish there were more interviews with the people who worked on Thriller, but Image Entertainment has a beautiful product that the fans have been waiting for for a very long time. I know my father would be amazed and flattered beyond belief at the longevity and enormity of the legacy he has left and the multi-generational appeal of his wonderful work. Please thank his fans for their continued interest in his work and his life. He truly was a lovely human being. --Paul Gaita

Elements of horror, mystery, and the supernatural were combined in this creepy series, which ran from 1960-1962 and was hosted by Boris Karloff. Focusing on ordinary people caught in extraordinary--and often frightening--situations, the show featured fine, young actors, top genre writers, and notable directors like Arthur Hiller, Ida Lupino, and Mitchell Leisen. Standard; Soundtrack: English Dolby Digital mono; audio commentary; TV spots; photo gallery; isolated music score. 67 episodes on 14 discs. 56 hrs.

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• Condition: New
• Format: DVD
• Box set; Black & White; DVD; Full Screen; NTSC

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Create a Toy Story cake with this easy to make edible image topper.Disney Woody Edible ImageEasy to Make