Posts tagged wars part 3 summary

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Crushes 50 lbs. of ice per hour! Waring Pro introduces a powerful, large-capacity ice crusher that is remarkably easy to use. The Waring Pro Professional Ice Crusher features a wide-mouth feed tube, operates with a single on/off toggle switch, and has a large, clear plastic container with handle that makes it easy to access up to 12 cups of crushed ice. A heavy-duty motor and a commercial-based mechanism crush up to 50 pounds of ice per hour; thats more than enough for any crowd! Waring Pro -- were always the life of the party!Crushes 50 lbs of ice per hourLarge, convenient ice chute with funnel attachment for easy feedingHeavy duty stainless steel crushing bladesContainer holds up to 12 cups of crushed iceLimited one year warranty

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• Professional large-capacity ice crusher with a powerful 150-watt motor
• Heavy-duty stainless-steel blades; crushes up to 50 pounds of ice per hour
• Wide-mouth funnel attachment; container holds up to 12 cups of crushed ice
• On/off toggle switch for easy operation; user manual with recipes included
• Measures 9-1/2 by 6-1/4 by 15-1/4 inches; 1-year limited warranty

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Juicing is a healthful way to eat fruits and veggies, and the Waring Juice Extractor takes juicing to the next level. A high-speed 400-watt motor makes the extraction process efficient, and makers of carrot juice will especially appreciate the brushed stainless-steel housing--the extractor won't turn orange with age. Everyone who's ever owned a juicer knows that cleanup is the biggest downfall of home juicing. With the Waring, that won't be an issue--the compact strainer, pulp collector, lid, and juice collector are all dishwasher-safe, and the stainless-steel body wipes clean with a sponge. The extractor's die-cast base stays steady on the countertop, and its cushioned feet will minimize vibration, protecting the countertop from scratches. The extractor comes with an instruction book, a five-year limited warranty on the motor, and a one-year limited appliance warranty. --Ariel Meadow Stallings

The Waring Pro® Juice Extractor lets you get the most out of your favorite fruits and vegetables. Ideal for today''s fast and healthy lifestyles, the Juice Extractor is engineered to make the process easy. More juice is extracted from less produce, leaving only dry pulp in the Pulp Collector. That means no mess while processing, and quick and easy cleanups. An extra wide feed tube minimizes preparation time, and the convenient ON/OFF toggle switch is simple to use. The efficient metal design has fewer parts to clean, is easy to assemble, and makes this attractive machine a pleasure to own and operate. Drink to your good health, with Waring.

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• Juicer provides healthful way to eat fruits and vegetables
• High-speed 400-watt motor
• Brushed stainless-steel housing eliminates stains
• Compact strainer, pulp collector, lid, and juice collector are all dishwasher-safe
• Five-year limited warranty on the motor, one-year limited appliance warranty

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Create delicious and traditional Belgian waffles, two at a time, with this round rotary waffle maker by Waring. This professional style waffle maker makes two waffles at time and features extra deep, one inch waffle pockets for the fluffiest results yet. The rotary feature is very handy and allows you to easily fill both plates, as well as evenly distributing batter for great cooking results. Choose the browning setting you prefer with the browning control knob and take out all the guess work with the two LED lights and audio beeps that signal when your waffles are ready. Housed in a sleek, brushed stainless steel, this waffle maker can make crisp to soft waffles to meet everyone's preference, and will become a favorite for your Sunday morning breakfasts.

Features

• 1400-watt waffle maker bakes 2 Belgian waffles at a time
• Round-shaped waffle plates; rotating function for even baking
• Extra-deep 1-inch pockets; rotary thermostat and browning-control knob
• Simple on/off toggle switch; 2 LED indicator lights; 3 audio beep tones
• Measures approximately 15-1/2 by 9-4/5 by 9-2/7 inches

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Before "Dreamgirls," this musical drama recalled the rise of a Supremes-like girl group from the Harlem ghetto to superstardom. While the group Sister and The Sisters pursues fame and fortune, their relationships fracture when Sister (Lonette McKee) turns to drugs and Sparkle (Irene Cara) cultivates a relationship with their manager (Philip Michael Thomas). Dwan Smith, Dorian Harewood also star; features a score by Curtis Mayfield. 98 min. Widescreen; Soundtrack: English Dolby Digital mono.

Before Dreamgirls hit cineplexes in 2006, there was Sparkle. Released in 1976, the low-budget movie (which is also loosely based on the story of Diana Ross and the Supremes) achieved somewhat of a cult following among fans that enjoy a good cry along with their kitsch. Sparkle tells the rags-to-riches (and rags again, for some of the characters) tale of three sisters with gorgeous voices. There's Sister (Lonette McKee), Sparkle (Irene Cara, Fame), and Delores (Dwan Smith), who team up with a couple of players (including a very young Philip Michael Thomas, pre-Miami Vice) to form a singing group. Because the men add little oomph to the outfit, the quintet becomes an all-girl trio and is renamed the redundant (and hysterical) Sister and the Sisters. But because this movie is called Sparkle and not Sister, we know that Irene Cara's character is the one to watch. Cara is a joy to listen to when she unleashes her powerful pipes. And as the much put-upon Sister, McKee is convincing and earns the viewer's sympathy. Set in the 1950's, the movie tackles racism, sexism, jealousy, and both chemical and physical abuse. While it is overly dramatic and liberally serves up sloppy doses of soap opera clichés, the film also is highly watchable because of its over-the-top campiness. --Jae-Ha Kim

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• New

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The 10th anniversary concert video of the international musical sensation Les Misérables might be the best thing to appease fans until a full-fledged movie comes along. Or it might be even better, as feature films are often subject to extramusical casting considerations and this 1995 dream cast is superb. Reprising their roles from the original London company are Colm Wilkinson (Valjean), Michael Ball (Marius), and Alun Armstrong (Thenardier). From Broadway come Judy Kuhn (Cosette), Lea Salonga (Eponine), and Michael Maguire (Enjolras); from a later London production comes Ruthie Henshall (Fantine); and from Australia comes Philip Quast (Javert). Alain Boublil and Claude-Michel Schönberg's score vividly captures the passion of Victor Hugo's epic tale of post-Revolutionary France, combining tear-jerking ballads ("I Dreamed a Dream," "Bring Him Home") and rousing anthems ("Do You Hear the People Sing"). The format of this concert is closer to that of a dramatic cantata rather than a fully staged production; the singers stand at their microphone stands with an orchestra and chorus behind them, but they do wear costumes and participate in some movement. At certain points such as the climax of the barricade scene, the video switches to action from a stage production. The Royal Philharmonic Orchestra sounds great, and it can be thrilling when 200 choristers (dressed in logo T-shirts) rise to their feet for a full-company number such as "One Day More." Also, subtitles provide date and scene information and help move the story along. The 147-minute video contains footage not seen when Les Mis was a PBS pledge-drive staple, most notably the encore in which a progression of 17 actors who have played Valjean around the world share "Do You Hear the People Sing?" Each sings a line in his native language, a testament to the enduring power of this show to audiences everywhere. --David Horiuchi DVD features The 2008 two-disc edition presents the concert on a single-sided disc (the original DVD split the concert over two sides) with optional English subtitles. It's also in anamorphic widescreen (1.78:1 aspect ratio) comparied to the original's 1.33 full-screen. The second disc has Stage by Stage: Les Miserables, the hourlong documentary from 1988. Unfortunately the sound is only Dolby Digital 2.0. Early editions of the DVD had an odd omission (compared to the earlier Sony DVD)--the first 10 seconds of Gavroche's "Little People" were missing ("Good evening, dear inspector, lovely evening, my dear...")--that has now been corrected. --David Horiuchi

To mark the 10th anniversary of the award-winning musical, an all-star array of "Les Miz" cast members from productions around the world took the stage at London's Royal Albert Hall, joined by the Royal Philharmonic Orchestra, to perform the songs in concert. Colm Wilkinson, Judy Kuhn, Philip Quast, Lea Salonga, and Ruthie Henshall head the cast; songs include "I Dreamed a Dream," "One Day More!," "On My Own" and a special encore of "Do You Hear the People Sing?," performed by 17 Jean Valjeans in their native languages. 148 min. Widescreen (Enhanced); Soundtrack: English Dolby Digital stereo; "making of" documentary; interviews. Two-disc set.

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What's up, Doc? Well, how about a four-disc boxed set packed with 56 of the funniest cartoons in Warner Bros. history? Get ready to laugh yourself silly with salutes to Bugs Bunny ("Baseball Bugs," "Long-Haired Hare," "Wabbit Twouble," "The Rabbit of Seville," and more); Daffy Duck and Porky Pig ("Duck Amuck," "Dough for the Do-Do," "Scaredy Cat," "Duck Dodgers in the 24 1/2th Century," and more); and other toon faves ("Elmer's Candid Camera," "Fast and Furry-ous," "For Scent-imental Reasons," "Speedy Gonzales," "The Foghorn Leghorn," "Devil May Hare," and more). 6 3/4 hrs. total. Standard; Soundtracks: English Dolby Digital mono, French Dolby Digital mono; Subtitles: English, French, Spanish; audio commentary; documentaries; featurette; more. NOTE: This set includes all 28 shorts from "Premiere Collection, Vol. 1."

For years, animation buffs have waited impatiently for the Warner Bros. cartoons to appear on DVD. The Warner shorts never commanded the budgets and prestige of the Disney and MGM films, and won fewer Oscars than they deserved. But decades after the best ones were created, they remain the quintessential Hollywood cartoons: brash, fast-paced, aggressively funny and uniquely American. Virtually everyone in the U.S. under the age of 60 grew up on these films, in theaters and on TV. The 56 cartoons in the set (out of a studio output of over 1,000) were transferred from good prints--which means the viewer can see dust, scratches, and occasional mistakes by the cel painters. The films are all presented uncut, in defiance of the killjoys who have insisted on censoring alleged "violence" in the versions shown on television. Warner Bros. is obviously testing consumer response with this set. Although the erratic selection includes many classics, purists will argue (correctly) that it offers neither a fair representation of the directors' oeuvres, nor anything approaching a coherent history of the characters or studio style. (Nearly half the films were directed by Chuck Jones; only three are by Bob Clampett, and there's nothing by Tex Avery or Frank Tashlin.) But it seems petty to carp about omissions and biases when the discs offer excellent, uncensored prints of some of the funniest films ever made in the U.S.--or anywhere else. (Rated G, suitable for all ages: cartoon violence) --Charles Solomon

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• DVD
• Standard Edition
• 4 X 3 FULL FRAME
• Digi-Pack
• Multi Disc
• Mono - English Mono 1.0 - French
• Audio Commentary Documentaries Featurette Introduction
• Standard Edition

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Share the excitement…uncover every secret...experience the epic story of STAR WARS as never before...now on Blu-ray in spectacular high definition with the purest digital sound in the galaxy! The greatest space saga ever told begins with STAR WARS: EPISODE I - THE PHANTOM MENACE, STAR WARS: EPISODE II - ATTACK OF THE CLONES and STAR WARS: EPISODE III - REVENGE OF THE SITH and follows young Anakin Skywalker's descent to the dark side as he transforms from child slave to Jedi apprentice to the evil Darth Vader!Product Measures: 1.5 x 5.5 x 7.5

Episode I, The Phantom Menace "I have a bad feeling about this," says the young Obi-Wan Kenobi (played by Ewan McGregor) in Star Wars: Episode I, The Phantom Menace as he steps off a spaceship and into the most anticipated cinematic event... well, ever. He might as well be speaking for the legions of fans of the original episodes in the Star Wars saga who can't help but secretly ask themselves: Sure, this is Star Wars, but is it my Star Wars? The original elevated moviegoers' expectations so high that it would have been impossible for any subsequent film to meet them. And as with all the Star Wars movies, The Phantom Menace features inexplicable plot twists, a fistful of loose threads, and some cheek-chewing dialogue. Han Solo's swagger is sorely missed, as is the pervading menace of heavy-breather Darth Vader. There is still way too much quasi-mystical mumbo jumbo, and some of what was fresh about Star Wars 22 years earlier feels formulaic. Yet there's much to admire. The special effects are stupendous; three worlds are populated with a mélange of creatures, flora, and horizons rendered in absolute detail. The action and battle scenes are breathtaking in their complexity. And one particular sequence of the film--the adrenaline-infused pod race through the Tatooine desert--makes the chariot race in Ben-Hur look like a Sunday stroll through the park. Among the host of new characters, there are a few familiar walk-ons. We witness the first meeting between R2-D2 and C-3PO, Jabba the Hutt looks younger and slimmer (but not young and slim), and Yoda is as crabby as ever. Natalie Portman's stately Queen Amidala sports hairdos that make Princess Leia look dowdy and wields a mean laser. We never bond with Jedi Knight Qui-Gon Jinn (Liam Neeson), and Obi-Wan's day is yet to come. Jar Jar Binks, a cross between a Muppet, a frog, and a hippie, provides many of the movie's lighter moments, while Sith Lord Darth Maul is a formidable force. Baby-faced Anakin Skywalker (Jake Lloyd) looks too young and innocent to command the powers of the Force or wield a lightsaber (much less transmute into the future Darth Vader), but his boyish exuberance wins over skeptics. Near the end of the movie, Palpatine, the new leader of the Republic, may be speaking for fans eagerly awaiting Episode II when he pats young Anakin on the head and says, "We will watch your career with great interest." Indeed! --Tod Nelson Episode II, Attack of the Clones If The Phantom Menace was the setup, then Attack of the Clones is the plot-progressing payoff, and devoted Star Wars fans are sure to be enthralled. Ten years after Episode I, Padmé Amidala (Natalie Portman), now a senator, resists the creation of a Republic Army to combat an evil separatist movement. The brooding Anakin Skywalker (Hayden Christensen) is resentful of his stern Jedi mentor, Obi-Wan Kenobi (Ewan McGregor), tormented by personal loss, and showing his emerging "dark side" while protecting his new love, Amidala, from would-be assassins. Youthful romance and solemn portent foreshadow the events of the original Star Wars as Count Dooku (a.k.a. Darth Tyranus, played by Christopher Lee) forges an alliance with the Dark Lord of the Sith, while lavish set pieces showcase George Lucas's supreme command of all-digital filmmaking. All of this makes Episode II a technological milestone, savaged by some critics as a bloated, storyless spectacle, but still qualifying as a fan-approved precursor to the pivotal events of Episode III. --Jeff Shannon Episode III, Revenge of the Sith Ending the most popular film epic in history, Star Wars: Episode III, Revenge of the Sith is an exciting, uneven, but ultimately satisfying journey. Picking up the action from Episode II, Attack of the Clones as well as the animated Clone Wars series, Jedi Master Obi-Wan Kenobi (Ewan McGregor) and his apprentice, Anakin Skywalker (Hayden Christensen), pursue General Grievous into space after the droid kidnapped Supreme Chancellor Palpatine (Ian McDiarmid). It's just the latest maneuver in the ongoing Clone Wars between the Republic and the Separatist forces led by former Jedi turned Sith Lord Count Dooku (Christopher Lee). On another front, Master Yoda (voiced by Frank Oz) leads the Republic's clone troops against a droid attack on the Wookiee homeworld of Kashyyyk. All this is in the first half of Episode III, which feels a lot like Episodes I and II. That means spectacular scenery, dazzling dogfights in space, a new fearsome villain (the CGI-created Grievous can't match up to either Darth Maul or the original Darth Vader, though), lightsaber duels, groan-worthy romantic dialogue, goofy humor (but at least it's left to the droids instead of Jar-Jar Binks), and hordes of faceless clone troopers fighting hordes of faceless battle droids. But then it all changes. After setting up characters and situations for the first two and a half movies, Episode III finally comes to life. The Sith Lord in hiding unleashes his long-simmering plot to take over the Republic, and an integral part of that plan is to turn Anakin away from the Jedi and toward the Dark Side of the Force. Unless you've been living under a rock the last 10 years, you know that Anakin will transform into the dreaded Darth Vader and face an ultimate showdown with his mentor, but that doesn't matter. In fact, a great part of the fun is knowing where things will wind up but finding out how they'll get there. The end of this prequel trilogy also should inspire fans to want to see the original movies again, but this time not out of frustration at the new ones. Rather, because Episode III is a beginning as well as an end, it will trigger fond memories as it ties up threads to the originals in tidy little ways. But best of all, it seems like for the first time we actually care about what happens and who it happens to. Episode III is easily the best of the new trilogy--OK, so that's not saying much, but it might even jockey for third place among the six Star Wars films. It's also the first one to be rated PG-13 for the intense battles and darker plot. It was probably impossible to live up to the decades' worth of pent-up hype George Lucas faced for the Star Wars prequel trilogy (and he tried to lower it with the first two movies), but Episode III makes us once again glad to be "a long time ago, in a galaxy far, far away." --David Horiuchi

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Seven-disc set includes "Star Trek: The Motion Picture," "Star Trek II: The Wrath of Khan," "Star Trek III: The Search for Spock," "Star Trek IV: The Voyage Home," "Star Trek V: The Final Frontier," "Star Trek VI: The Undiscovered Country," and a disc full of extras.

Star Trek I : The Original Motion PictureBack when the first Star Trek feature was released in December 1979, the Trek franchise was still relatively modest, consisting of the original TV series, an animated cartoon series from 1973-74, and a burgeoning fan network around the world. Series creator Gene Roddenberry had conceived a second TV series, but after the success of Star Wars the project was upgraded into this lavish feature film, which reunited the original series cast aboard a beautifully redesigned starship U.S.S. Enterprise. Under the direction of Robert Wise (best known for West Side Story), the film proved to be a mixed blessing for Trek fans, who heatedly debated its merits; but it was, of course, a phenomenal hit. Capt. Kirk (William Shatner) leads his crew into the vast structures surrounding V'Ger, an all-powerful being that is cutting a destructive course through Starfleet space. With his new First Officer (Stephen Collins), the bald and beautiful Lieutenant Ilia (played by the late Persis Khambatta) and his returning veteran crew, Kirk must decipher the secret of V'Ger's true purpose and restore the safety of the galaxy. The story is rather overblown and derivative of plots from the original series, and avid Trekkies greeted the film's bland costumes with derisive laughter. But as a feast for the eyes, this is an adventure worthy of big-screen trekkin'. Douglas Trumbull's visual effects are astonishing, and Jerry Goldmith's score is regarded as one of the prolific composer's very best (with its main theme later used for Star Trek: The Next Generation). And, fortunately for Star Trek fans, the expanded 143-minute version (originally shown for the film's network TV premiere) is generally considered an improvement over the original theatrical release. --Jeff ShannonStar Trek II :The Wrath of KhanAlthough Star Trek: The Motion Picture had been a box-office hit, it was by no means a unanimous success with Star Trek fans, who responded much more favorably to the "classic Trek" scenario of Star Trek II: The Wrath of Khan. Inspired by the "Space Seed" episode of the original TV series, the film reunites newly promoted Admiral Kirk with his nemesis from the earlier episode--the genetically superior Khan (Ricardo Montalban)--who is now seeking revenge upon Kirk for having been imprisoned on a desolated planet. Their battle ensues over control of the Genesis device, a top-secret Starfleet project enabling entire planets to be transformed into life-supporting worlds, pioneered by the mother (Bibi Besch) of Kirk's estranged and now-adult son. While Mr. Spock mentors the young Vulcan Lt. Saavik (then-newcomer Kirstie Alley), Kirk must battle Khan to the bitter end, through a climactic starship chase and an unexpected crisis that will cost the life of Kirk's closest friend. This was the kind of character-based Trek that fans were waiting for, boosted by spectacular special effects, a great villain (thanks to Montalban's splendidly melodramatic performance), and a deft combination of humor, excitement, and wondrous imagination. Director Nicholas Meyer (who would play a substantial role in the success of future Trek features) handles the film as a combination of Moby Dick, Shakespearean tragedy, World War II submarine thriller, and dazzling science fiction, setting the successful tone for the Trek films that followed. --Jeff ShannonStar Trek III : The Search for Spock You didn't think Mr. Spock was really dead, did you? When Spock's casket landed on the surface of the Genesis planet at the end of Star Trek II, we had already been told that Genesis had the power to bring "life from lifelessness." So it's no surprise that this energetic but somewhat hokey sequel gives Spock a new lease on life, beginning with his rebirth and rapid growth as the Genesis planet literally shakes itself apart in a series of tumultuous geological spasms. As Kirk is getting to know his estranged son (Merritt Butrick), he must also do battle with the fiendish Klingon Kruge (Christopher Lloyd), who is determined to seize the power of Genesis from the Federation. Meanwhile, the regenerated Spock returns to his home planet, and Star Trek III gains considerable interest by exploring the ceremonial (and, of course, highly logical) traditions of Vulcan society. The movie's a minor disappointment compared to Star Trek II, but it's a--well, logical--sequel that successfully restores Spock (and first-time film director Leonard Nimoy) to the phenomenal Trek franchise...as if he were ever really gone. With Kirk's willful destruction of the U.S.S. Enterprise and Robin Curtis replacing the departing Kirstie Alley as Vulcan Lt. Saavik, this was clearly a transitional film in the series, clearing the way for the highly popular Star Trek IV. --Jeff ShannonStar Trek IV : The Voyage Home Jumping on to the end-of-the-century bandwagon a little early, Paramount Pictures released 10 of their top films in one 10-pack, the Millennium Collection, in 1998. All the films are presented in their widescreen editions; one, Breakfast at Tiffany's, is offered in this format for the first time. The set includes 5 Best Picture Oscar winners and films that took home an additional 33 Academy Awards. All the tapes are available to buy individually. The pack, with a handsome mosaic of faces from the movies, also features collector gift cards (a movie version of baseball cards) and a commemorative booklet detailing the productions of all 10 films. The collection is oddly weighted toward the last 25 years, offering only one film from the 1950s and one from the 1960s. Your taste in current cinema will define the value of the set. Besides Tiffany's, one of Audrey Hepburn's finest films, the collection contains: The Ten Commandments with Charlton Heston, Grease with John Travolta, Francis Ford Coppola's Apocalypse Now and The Godfather, the funny, whale-saving Star Trek IV--The Voyage Home, Tom Cruise's hit Top Gun, the smash hit Ghost with Demi Moore, Mel Gibson's Celt fest Braveheart, and Forrest Gump with Tom Hanks. --Doug ThomasStar Trek V :The Final FrontierMovie critic Roger Ebert summed it up very succinctly: "Of all of the Star Trek movies, this is the worst." Subsequent films in the popular series have done nothing to disprove this opinion; we can be grateful that they've all been significantly better since this film was released in 1989. After Leonard Nimoy scored hits with Star Trek III and IV, William Shatner used his contractual clout (and bruised ego) to assume directorial duties on this mission, in which a rebellious Vulcan (Laurence Luckinbill) kidnaps Federation officials in his overzealous quest for the supreme source of creation. That's right, you heard it correctly: Star Trek V is about a crazy Vulcan's search for God. By the time Kirk, Spock, and their Federation cohorts are taken to the Great Barrier of the galaxy, this journey to "the final future" has gone from an embarrassing prologue to an absurd conclusion, with a lot of creaky plotting in between. Of course, die-hard Trekkies will still allow this movie into their video collections; but they'll only watch it when nobody else is looking. After this humbling experience, Shatner wisely relinquished the director's chair to Star Trek II's Nicholas Meyer. --Jeff ShannonStar Trek VI : The Undiscovered CountryStar Trek V left us nowhere to go but up, and with the return of Star Trek II director Nicholas Meyer, Star Trek VI restored the movie series to its classic blend of space opera, intelligent plotting, and engaging interaction of stalwart heroes and menacing villains. Borrowing its subtitle (and several lines of dialogue) from Shakespeare, the movie finds Admiral Kirk (William Shatner) and his fellow Enterprise crew members on a diplomatic mission to negotiate peace with the revered Klingon Chancellor Gorkon (David Warner). When the high-ranking Klingon and several officers are ruthlessly murdered, blame is placed on Kirk, whose subsequent investigation uncovers an assassination plot masterminded by the nefarious Klingon General Chang (Christopher Plummer) in an effort to disrupt a historic peace summit. As this political plot unfolds, Star Trek VI takes on a sharp-edged tone, with Kirk and Spock confronting their opposing views of diplomacy, and testing their bonds of loyalty when a Vulcan officer is revealed to be a traitor. With a dramatic depth befitting what was to be the final movie mission of the original Star Trek crew, this film took the veteran cast out in respectably high style. With the torch being passed to the crew of Star Trek: The Next Generation, only Kirk, Scotty, and Chekov would return, however briefly, in Star Trek: Generations. --Jeff Shannon

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• Format: Blu-ray
• Color; Widescreen; NTSC

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Create Star Wars Cupcakes and party favors with this plastic rings. Great for party favors

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• Great for party favors
• made for cupcakes
• 12 ct - 6 Storm Troopers and 6 Darth Vaders